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The Art of the Profile with David Remnick of ‘The New Yorker’
David Remnick writes for fun. That might seem an odd sentiment coming from the editor in chief of The New Yorker, a magazine known for an eminent tradition of literary and journalistic gravitas. But his kind of “fun” shouldn’t be misread as trivial. What Remnick considers fun to write are the signature New Yorker profile pieces, which involve weeks or months of rigorous research and legwork for the writer (running to many thousands of published words). On the occasion of Remnick’s comprehensive profile of Bruce Springtseen in the new issue, we picked his brain about the art of the modern profile and how the form originated and evolved at The New Yorker.
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This must be read.

storyboard:

The Art of the Profile with David Remnick of ‘The New Yorker’

David Remnick writes for fun. That might seem an odd sentiment coming from the editor in chief of The New Yorker, a magazine known for an eminent tradition of literary and journalistic gravitas. But his kind of “fun” shouldn’t be misread as trivial. What Remnick considers fun to write are the signature New Yorker profile pieces, which involve weeks or months of rigorous research and legwork for the writer (running to many thousands of published words). On the occasion of Remnick’s comprehensive profile of Bruce Springtseen in the new issue, we picked his brain about the art of the modern profile and how the form originated and evolved at The New Yorker.

Read More

This must be read.